The official trailer of the Norwegian psychological thriller, Børre, is finally complete and will be released worldwide 11.27.2008! That’s tomorrow-Thanksgiving!
I have tried to write about my experiences on this project for my blog, but ironically, it has taken me three unsuccessful days to do so. I’ve been under a lot of pressure lately with various events happening all at the same time and now finding out that the political situation in Thailand has now resulted in the two main airports in Bangkok being closed down is not helping! I just read on CNN today, the various details of what is going on in Thailand and things are not looking good. Two bombs went of Wednesday morning, one at each of the airports. Several were wounded and the country is simply diving into more chaos.
At the moment, I’m preparing for the launch of the BØRRE official trailer tomorrow and getting geared up for a new British short film about the London undergound bombings in 2005, which is being directed by Harry Burnett-Rae, a dear friend and fascinating director with whom I had a chance to work with while he was here in LA earlier this year.
Here is all that I could type up about my experience working on the Børre trailer. I will find time to finish it a little later when things have cleared up a bit:
“The journey in working on this project has been most rewarding and unique. I approached the writer and producer, Kim Dillevig Aas after having seen the teaser trailer for Børre on Facebook. It was very cool and spine-chilling and I was extremely impressed so I explained my interest in the project to him. And surprisingly, he was interested in having me on board as well and mentioned that he would be in town (Los Angeles) in a couple weeks. So I informed Ken of this exciting project and started looking for new sounds and toys to sample especially for this project.
A couple weeks later, Kim arrived, as expected, in LA and we had our initial meeting at my studio in West LA. I was really blown away by the images and cuts he had assembled for me, but he had wanted to cut the final version of the trailer to my score. So I had a bunch of images and scenes to referrence and I started immediately. It was a very exciting process as I had been really inspired and had discussed some potential cuts with Kim so that I could create my score accordingly. That day he took a photo for his production blog on the film and it became my favorite photo of me in my studio!
After several days, I came up with what I thought was good, blending sound design with a cold, chilling orchestral taste. I brought Ken in and showed it to him and together we crafted a mix of it that really shaped the score and added an eerie edge to it.”